Fall Update

Many projects going on this fall! Here is quick overview of what’s up over the next few months:

  • October 17, Spirits recital at Pontiac Enchanté in Luskville, QC! Get your tickets here.
  • October 27, Ottawa New Music Creators (ONMC) season opening concert ft. loop pedal violists Kathryn Patricia and Radia. Get your tickets for that event here.
  • October 29, Spirits recital at Mount Allison University in Sackville, NB.
  • November 1-9, Residency at the Lunenburg Academy of Music Performance (LAMP) in Nova Scotia.
  • November 15, Video recording session ft. ONMC members and SHHH!! in the world premiere of a new work commissioned by ONMC/SHHH!! (more on this coming soon!!).
  • November 22-24, Debut album recording session at Domaine Forget in Charlevoix, QC with producer Carl Talbot for the Analekta label. HUGE thanks to the Canada Council for the Arts for funding this project! 🙂
  • December 3, ONMC Concert 2 ft. Lara Deutsch (flute) and Adam Cicchillitti (guitar).
  • Continued learning of the approximately 3,000,000 notes involved in Kelly-Marie Murphy’s new double concerto Machines, Mannequins, and Monsters! World premiere on January 26, 2022 with the Winnipeg Symphony Orchestra.

Never a dull moment!

ONMC Season Launch

We are thrilled to announce our first season as the Artistic Directors of the Ottawa New Music Creators (ONMC)! 🚀😀

We have an incredible lineup planned featuring local artists, innovative performer-composers, and interdisciplinary collaboration. See below for details:

First, a few thank-yous and shout-outs:

  • To the City of Ottawa, thank you for your ongoing support. This may be our first season, but it is ONMC’s 10th (🍀🤞), and we could not have got this far without you!
  • To ONMC’s membership and wonderful audience of auditory explorers. Thank you for trusting us to curate a creative, inclusive, and groundbreaking season.
  • To ONMC’s board for the support and encouragement, suggestions, planning sessions, and marathon meetings. 🍻
  • To our season artists, we cannot wait to hear you play. It is going to be incredible. ✨
  • Finally, to Curtis Perry, ONMC’s tireless Executive Director, without whom ONMC could not exist. Your creative and organizational talents are much appreciated by the ONMC community. Also, your posters look AMAZING! 🤩👌
And now, on to the lineup:

Concert No.1 – In the Loop, October 27th

ft. Kathryn Patricia & Radia

Concert No.2 – Vistas, December 3rd

ft. Lara Deutsch & Adam Cicchillitti

Concert No.3 – Simple Lines of Enquiry, February 27th

ft. Edward Enman

Concert No.4 – Art Crush – Ensembl’Arts, April 7th

ft. Marc Djokic, Avery Zhao-Djokic, & Ariana Pirela Sánchez

Ticket Link for Concert No. 1:

Meanwhile, it’s HAPPENING!

On Tuesday last week we received the wonderful news from the Canada Council for the Arts that we were awarded an Explore and Create – Concept to Realization grant! That, combined with our earlier Ontario Arts Council Music Production Grant will allow us to proceed with recording our debut album, Meanwhile, on the Analekta label. We couldn’t be happier!

We will be recording at the beautiful George Weston Recital in Toronto with tonmeister extraordinaire Carl Talbot this fall, with a release date in early 2022.

Meanwhile‘s all-Canadian lineup surveys some of our most memorable collaborations and creative endeavours from the past few years and will include:

  • Kelly-Marie Murphy’s riveting and virtuosic Dr. Blue’s Incredible Bone-Shaking Drill Engine;
  • Noora Nakhaei’s Echoes of the Past, based on the remarkable and moving co-autobiography Sister Language by Martha and Christine Baillie;
  • John Beckwith’s Meanwhile, a haunting, reflective, and at times violent theme and variations, and the first piece written for our duo as well as the namesake of the album;
  • Micheline Roi’s powerful and expressive Grieving the Doubts of Angels, one of the few previously existing Canadian works for piano/percussion duo;
  • John Gordon Armstrong’s The Angels’ Share is a loving look at tasting notes from various single malt Scotches;
  • Jocelyn Morlock’s quirky and groovy Spirit Gradient explores the inner sound world of the horizon determining device through the eyes of a child.

We cannot wait to share this music with you! 😉🥳🎶

Barn Life & Banff Wrap Up

Over the last two and half weeks we had the privilege of setting up shop at the Venturing Hills Concert Studio in Luskville, QC (home of the Pontiac Enchanté Concert Series) as a part of the Banff Centre for Arts and Creativity’s Evolution: Classical career development residency. Our stay at the “barn” was made possible with the generous support of the National Arts Centre and Pontiac Enchanté. Thank you for the opportunity!

Evolution: Classical asked us to develop a new curation that pushed us musically and artistically, as well as to explore new concepts and ways of connecting, expressing, and creating. With the time and space afforded to us by our stay at Venturing Hills, we were able to develop a new, more theatrical and unified approach to our curation. This new approach was also inspired by the incredible faculty and other Evolution: Classical participant entities who we have got to know (remotely) since May.

While at the barn, we had the chance to work IN PERSON with choreographer Marie-Josée Chartier. With her expertise we were able to hone our movement, transitions, and staging (and Aperghis… whew!!). What a great experience.

The result of all this work?

EXTRAterrestrial

EXTRAterrestrial, our new curation, premiered on August 11th as a part of the Banff Centre’s EvoFest Evolution Concert Series. The program includes music by Andy Akiho, Kevin Hanlon, J.S. Bach, Jocelyn Morlock, Mari Alice Conrad, Monica Pearce, and a theatrical percussion work by George Aperghis. It was thrilling to be able experiment and push ourselves with this program. Thank you to the Banff Centre E:C mentors (and participants) for their support, encouragement, and feedback!

Our performance was part of an epic triple header with other Evolution: Classical participant entities Indigo Trio (Jessie Ramsay, Alyssa Ramsay, and John Sellick) and Kalliope (Ellen Torrie and Kerry Bursey). It has been SO inspiring to see all of these diverse curations come together. You can still watch the show and all of the EvoFest concerts here. At the time of writing this blog post there are still two more shows that can be watched LIVE, tonight and tomorrow.

A few stills from August 11th:

Besides being a gorgeous concert venue, Venturing Hills is also a functioning equestrian farm that is nestled in the Eardley Escarpment. With it’s back to the Gatineau Park and facing out towards the Ottawa River, there was no shortage of beautiful views, greenery, and hikes and walks.

Some pictures from our rehearsal breaks over the course of the residency:

Normally, we would have wanted to cap off this blog post with a bunch of great pics of us with all of the faculty and other participants that made this residency such a rich, inspiring, and unforgettable experience, but since the bulk of our interactions were via Zoom (and it still managed to be AMAZING) we will end with screen shot from Jamie Parker!

Thank you to ALL! 🙂🙂

Some of our Summer

With all of the ups and downs that the last year has brought, thankfully this summer is shaping up to be one of our busiest and most creative! 🙂☀️🎶

That being said, we did allow ourselves a little break last week in beautiful Prince Edward County:

Since our last post:

  • Banff Centre for Arts and Creativity Evolution: Classical has continued with incredible weekly mentor sessions and EvoFest concerts. Always so inspiring. EvoFest concerts are available for free on the Banff Centre YouTube channel, here.
  • Episode 3 of NightCAPS w/ SHHH!! Ensemble aired ft. world premiere performances of Monica Pearce’s leather and Patricia Morehead’s Moon on Shimmering Water. You can still watch the performance, here.
  • On June 20th we had the pleasure of recording Monica Pearce’s leather at Revolution Recording in Toronto for her upcoming Textile Fantasies album.
  • SHHH!! percussionist Zac Pulak received a City of Ottawa Creation and Production Fund for Professional Artists Grant to complete a new solo percussion work he has been developing since the start of the pandemic (to be premiered this Fall).

Coming up:

  • Chamberfest released their season lineup! We will be performing three concerts (available online or in person)! Click here for complete details.
    1. New Music Now ft. Jocelyn Morlock’s Spirit Gradient and Monica Pearce’s leather
    2. Bring the Kids! concert ft. some really fun and engaging participatory pieces
    3. Record Centre SHHHuffle recital ft. classical arrangements plus new music by Jocelyn Morlock, Mari Alice Conrad, Noora Nakhaei, and Andy Akiho.
  • We are honoured to be partnering with the National Arts Centre as artists in residence for the 2nd instalment of the Banff Centre Evolution: Classical program. Thanks to the NAC’s support, we will spend two glorious weeks putting the finishing touches on our new repertoire at the Venturing Hills Concert Studio in Luskville, QC. The new program will be live-streamed from Venturing Hills via the Banff Centre’s EvoFest series.
  • PLANNING, PLANNING, PLANNING for the Ottawa New Music Creators’ season launch (early September). It’s going to be RAD. 🤙

More to Come SOON! 🤫😉

Zoomin’

Over the last seven days, and approximately 50 hours logged on Zoom so far, as a part of the Banff Centre for Arts and Creativity Evolution: Classical and East Chamber Music Emerging Composer Festival, SHHH!! Ensemble is definitely Zoomin’, Boomin’, and Movin’!

We are feeling SOOOO inspired. Daily talks with the incredible faculty and inspiring presentations from our fellow participant entities have our minds swimming in “virtually” limitless possibility… and ludicrous daily screen time reports! We have also managed to keep up a daily practice routine that has our new repertoire cooking! What a beautiful time. We are so grateful for this opportunity to grow as artists and humans!

Throughout the Evolution: Classical program (2 intense weeks in May, ongoing weekly sessions in June/July, and 2 intense weeks in August) we are working on a new SHHH!! Ensemble curation that will debut at the end of the program. Fortunately for us, our repertoire is full of energetic interactions, expressive gestures, and a sense of exploration that is the perfect remedy for a day otherwise spent behind the screen!

Inspiring mentor sessions with the likes of Rob Kapilow, The Gryphon Trio, Megumi Masaki, Aiyun Huang, Dinuk Wijeratne, Anders Astrand, Marie-Josée Chartier, and so many others have made it clear to us that in order to take this curation to the next level we need to push ourselves as a duo by bringing in elements of movement, staging, and memorization to our performance. We are ready for the challenge! The unbelievably supportive team at Evolution: Classical has set us up with numerous extra coaching sessions with experts in these particular fields and we are feeling so well taken care of.

We are looking forward to continuing to develop this innovative program and share it with you in August! Stay tuned for more updates!

In the meantime, SHHH!! tries on some other ideas…

A tale of two residencies

SHHH!! has a lot to look forward to over the next few weeks! Beginning on Monday, May 10th we have the distinct pleasure of being involved in not one, but two virtual residency programs!

In one we will be mentors, and the other we will be mentees! 🙃

We are excited to be joining Daniel Mehdizadeh’s East Chamber Music Emerging Composer Festival as the Ensemble-in-Residence. Between May 10th and 16th we will be working with six composers from around the world, helping them bring their new works for piano/percussion duo to life! We have already seen first drafts of the scores, and it looks like it will be a very interesting and exciting week! The six students have already started their mentorship with Dr. Mehdizadeh.

For more information about the program and participants visit East Chamber Music’s website here. The world premieres concert will be taking place on Monday, May 17th. Keep an eye out for the link on our social media channels.

From May 10th to 22nd (and again from August 2nd to 14th) we have the privilege of taking part in the Banff Centre for Arts and Creativity’s Evolution: Classical Career Development Program led by the Gryphon Trio. We were initially accepted into the program last year, unfortunately it was one of many things cancelled due to COVID. Though it is sad not to visit Banff again, we are stoked that the program has been able to pivot to an online format this year.

Over the first two week session we will be workshopping a new program with an international performance faculty and receive coaching sessions on all aspects of our artistic practice. We can’t wait!

Currently, our feet are firmly planted in our home studio in Ottawa, but with the Banff Centre program around the corner, our minds are frequently wandering back to the Rockies… It’s truly one of our favourite places, and where SHHH!! Ensemble first started!

Below, some pictures from our previous visits:

Clockwise from top left: view from the top of Sulphur Mountain, recording in Rolston Recital Hall, Bow River views, Edana’s practice buddy, a difficult decision, fat-bike exploration around Vermillion Lakes, the outskirts of the town at dusk, Mount Rundle view (5 mins from our studio), at the top of Sleeping Buffalo Mountain (overlooking the Banff Centre and the town of Banff)

Bottom picture: view from the back of Sulphur Mountain on an incredibly cold and clear day.

Leather and Metal

Unfortunately, due to the provincial stay-at-home order here in Ontario we have had to postpone the 3rd episode of our NightCAPS w/ SHHH!! Ensemble series. The lockdown will be lasting until at least May 20th, so our ability to record outside our living room is on pause until then… more time to practice I guess! Fortunately, there is no shortage of material to work on!

I (Zac) am hard at work negotiating an unorthodox setup for Monica Pearce’s leather, a brilliant new work SHHH!! will be premiering as a part of our next NightCAPS episode. The challenging and rapidly changing patterns in leather are giving me a whipping (*groan*), but I love it and it’s coming together really well!

Pictured below are the eight bell-cymbals custom made for me by Sabian Cymbals specifically for this piece, plus a couple of gongs! The bell-cymbals have a dark, complex, otherworldly sound. It’s at once a big challenge and a total pleasure to work on a piece where there are no pre-existing conventions or idiomatic patterns for the composer to work from. Initially, I set up the eight bell cymbals and gongs one way, but after several days of experimenting I realized that there were numerous other more efficient ways of organizing the ten instruments. It’s been an interesting journey… now back to the woodshed!

leather is the sixth instalment in “a set of a multiple-work piece based on the history and associations of various textiles/patterns. In each of these works, the textile or pattern is used both as inspiration (history, tone, physical characteristics) and as a physically present element, either visually or sonically. Textile Fantasies include chain mail, for percussion quartet; houndstooth, for solo piano; damask, for toy piano and tabla; denim, for two toy pianos and two percussion; and velvet for marimba quartet.”

We can’t wait to share this creative new music with you, it’s a real honour to be entrusted with the world premiere! Stay tuned for that as well as some other big announcements coming up soon!

In the meantime, you can hear some other fantastic performers interpret other works from Monica Pearce’s Textile Fantasies here:

March 15, 2021 – WholeNote Cover Story

Great (and unexpected!) way to start the week: we made the cover of The WholeNote!

In the article we talk about staying creative and positive during the pandemic, upcoming projects including our recent appointment as AD’s of the Ottawa New Music Creators, Kelly-Marie Murphy’s Double Concerto premiere with the Thunder Bay Symphony Orchestra, and quinzee building technique… among many other topics!

Read the full article here: https://kiosk.thewholenote.com/?fbclid=IwAR3BvD2JXrSEwBJv6H4d_J4VXgpvt41RCd_LSW1hACLQt_FOL9N44nJX000

February 3, 2021 – In Concert Spotlight

Despite continued COVID setbacks 2021 is off to a great start! If you are reading this blog you have probably seen, or at least noticed, that we launched our NightCAPS w/ SHHH!! Ensemble series on January 30th! If not, check out Episode 1 (ft. Jocelyn Morlock and her beautiful piece Spirit Gradient), here. If you would like to support the NightCAPS series you can make a donation here.

This Sunday (February 7th) at 2:00pm SHHH!! Ensemble will be the featured artists on CBC Radio 2’s In Concert with Paolo Pietropaolo

We recorded this special edition of our SHHHuffle concert live-for-broadcast at Music Mondays Toronto (Church of the Holy Trinity) in October 2020. Needless to say, we are thrilled to be presenting our unique avant-accessible performance to a national audience through the CBC.

SHHHuffle includes music by Francis Poulenc, Andy Akiho, and Mario Castelnuovo-Tedesco alongside three Canadian works: Album of Old Photographs by Christine Donkin, Echoes of the Past by Noora Nakhaei, and Spirit Gradient by Jocelyn Morlock. 

The programme will be available live via https://www.cbc.ca/listen/live-radio/2-4292-in-concert; through the CBC Listen app; or on the radio!