Fall Update

Many projects going on this fall! Here is quick overview of what’s up over the next few months:

  • October 17, Spirits recital at Pontiac Enchanté in Luskville, QC! Get your tickets here.
  • October 27, Ottawa New Music Creators (ONMC) season opening concert ft. loop pedal violists Kathryn Patricia and Radia. Get your tickets for that event here.
  • October 29, Spirits recital at Mount Allison University in Sackville, NB.
  • November 1-9, Residency at the Lunenburg Academy of Music Performance (LAMP) in Nova Scotia.
  • November 15, Video recording session ft. ONMC members and SHHH!! in the world premiere of a new work commissioned by ONMC/SHHH!! (more on this coming soon!!).
  • November 22-24, Debut album recording session at Domaine Forget in Charlevoix, QC with producer Carl Talbot for the Analekta label. HUGE thanks to the Canada Council for the Arts for funding this project! 🙂
  • December 3, ONMC Concert 2 ft. Lara Deutsch (flute) and Adam Cicchillitti (guitar).
  • Continued learning of the approximately 3,000,000 notes involved in Kelly-Marie Murphy’s new double concerto Machines, Mannequins, and Monsters! World premiere on January 26, 2022 with the Winnipeg Symphony Orchestra.

Never a dull moment!

A tale of two residencies

SHHH!! has a lot to look forward to over the next few weeks! Beginning on Monday, May 10th we have the distinct pleasure of being involved in not one, but two virtual residency programs!

In one we will be mentors, and the other we will be mentees! 🙃

We are excited to be joining Daniel Mehdizadeh’s East Chamber Music Emerging Composer Festival as the Ensemble-in-Residence. Between May 10th and 16th we will be working with six composers from around the world, helping them bring their new works for piano/percussion duo to life! We have already seen first drafts of the scores, and it looks like it will be a very interesting and exciting week! The six students have already started their mentorship with Dr. Mehdizadeh.

For more information about the program and participants visit East Chamber Music’s website here. The world premieres concert will be taking place on Monday, May 17th. Keep an eye out for the link on our social media channels.

From May 10th to 22nd (and again from August 2nd to 14th) we have the privilege of taking part in the Banff Centre for Arts and Creativity’s Evolution: Classical Career Development Program led by the Gryphon Trio. We were initially accepted into the program last year, unfortunately it was one of many things cancelled due to COVID. Though it is sad not to visit Banff again, we are stoked that the program has been able to pivot to an online format this year.

Over the first two week session we will be workshopping a new program with an international performance faculty and receive coaching sessions on all aspects of our artistic practice. We can’t wait!

Currently, our feet are firmly planted in our home studio in Ottawa, but with the Banff Centre program around the corner, our minds are frequently wandering back to the Rockies… It’s truly one of our favourite places, and where SHHH!! Ensemble first started!

Below, some pictures from our previous visits:

Clockwise from top left: view from the top of Sulphur Mountain, recording in Rolston Recital Hall, Bow River views, Edana’s practice buddy, a difficult decision, fat-bike exploration around Vermillion Lakes, the outskirts of the town at dusk, Mount Rundle view (5 mins from our studio), at the top of Sleeping Buffalo Mountain (overlooking the Banff Centre and the town of Banff)

Bottom picture: view from the back of Sulphur Mountain on an incredibly cold and clear day.

Leather and Metal

Unfortunately, due to the provincial stay-at-home order here in Ontario we have had to postpone the 3rd episode of our NightCAPS w/ SHHH!! Ensemble series. The lockdown will be lasting until at least May 20th, so our ability to record outside our living room is on pause until then… more time to practice I guess! Fortunately, there is no shortage of material to work on!

I (Zac) am hard at work negotiating an unorthodox setup for Monica Pearce’s leather, a brilliant new work SHHH!! will be premiering as a part of our next NightCAPS episode. The challenging and rapidly changing patterns in leather are giving me a whipping (*groan*), but I love it and it’s coming together really well!

Pictured below are the eight bell-cymbals custom made for me by Sabian Cymbals specifically for this piece, plus a couple of gongs! The bell-cymbals have a dark, complex, otherworldly sound. It’s at once a big challenge and a total pleasure to work on a piece where there are no pre-existing conventions or idiomatic patterns for the composer to work from. Initially, I set up the eight bell cymbals and gongs one way, but after several days of experimenting I realized that there were numerous other more efficient ways of organizing the ten instruments. It’s been an interesting journey… now back to the woodshed!

leather is the sixth instalment in “a set of a multiple-work piece based on the history and associations of various textiles/patterns. In each of these works, the textile or pattern is used both as inspiration (history, tone, physical characteristics) and as a physically present element, either visually or sonically. Textile Fantasies include chain mail, for percussion quartet; houndstooth, for solo piano; damask, for toy piano and tabla; denim, for two toy pianos and two percussion; and velvet for marimba quartet.”

We can’t wait to share this creative new music with you, it’s a real honour to be entrusted with the world premiere! Stay tuned for that as well as some other big announcements coming up soon!

In the meantime, you can hear some other fantastic performers interpret other works from Monica Pearce’s Textile Fantasies here: